2000 Québec City
(Pre)Millenial Tensions: Pop Music at the Precipice
…in association with CRELIQ (Centre le recherche en étude litteraire québécoise)
May 20-21, 2000
Université Laval, Québec City, Canada
SATURDAY MAY 20
8:00registration
9:00 – 10:30 American Musical Cultures
Mark Hayward (McGill University)
The Generational Politics of Music in 1950s Harlem
Anthony Kinik (McGill University)
The Artist as Collector/The Collector as Artist: Harry Smith’s Cabinet of Wonders and The Anthology of American Folk Music
Philomena McCullough (University of Minnesota)
‘The Sound of Young America’: Motown’s Commentary on the Post-Industrial U.S.A.
10:30 BREAK
10:45 – 12:15 Sound in Popular Music
Marie-Ève Bouchard (Université Laval)
La basse chromatique mineure descendante en musique populaire
Louise Legault
Encountering Aural Media in Public Places
Serge Lacasse (Université Laval)
Technology in Recorded Popular Music: Vocal Staging in Alanis Morissette’s ‘Front Row’ (1998)
12:15 LUNCH (University Pub)
13:30 – 15:00 Celebrity
Roger Chamberland (Université Laval)
Trois fois passera, le cheval y restera
Chantal Savoie (Université Laval)
La chanson sentimentale dans la culture populaire: Qui a peur de la dame en bleu?
Keir Keightley (University of Western Ontario)
The LP and the Development of Adult Pop in the Post-War Era
15:00 BREAK
15:15 – 14:15 Cultural Policy and Copyright
Paul Theberge (University of Western Ontario)
On Death and Rebirth: Music Industries and the Internet
Ira Wagman (McGill University)
Brave New Airwaves: MuchMusic and the Development of Canadian Music Video Programming 1979-1984
EVENING: Two Possible Concerts
1.Interférence Sardine (Fou Bar): Indie Experimental Rock Band
2.Les Jardiniers (Kashmir): Techno
SUNDAY MAY 21
8:30 WELCOME
9:00 – 10:30 Methodology and the Role of the Academic
Andy Bennett (University of Surrey)
‘This is my truth’: Issues in the Ethnographic Study of Popular Music
Mark Percival (Queen Margaret University College)
My Own Best Informant: Being a DJ and Researching Popular Music Radio in the UK.
Melissa West and Charity Marsh (York University)
The Politics of Academic Fandom In the Study of Popular Music
10:30 BREAK
10:15 – 12:15 Rock Cultures
Scott Henderson (Brock University)
Getting Knocked Down and Getting Back Up Again: Locating ‘Punk’ at the Millennium
Lilian Radovac (McGill University)
Renegotiating Rock: Post-Rock as a Site of Generic and Discursive Change
Craig Morrison (Concordia University)
The Folk Revival Roots of San Francisco Psychedelic Music
12:15 LUNCH (University Pub)
13:30 TRIBUTE TO GASTON ROCHON (Line Grenier)
14:00 – 16:00 Subcultures
Cynthia Fuchs (George Mason University)
‘Jigga Who?’: Identity and Autobiography in Player Hip Hop
Jessica Wurster (McGill University)
The Business of Resistance: Institutional Practices in Indie Pop
Nelson Fernandez (McGill University)
Subculture, Scene and Transcendence: Towards a Discourse on Community: The Case of Rave
Sheenagh Pietrobruno (McGill University)
Salsa’s Gendered Embrace: A Turn Backwards or Step Forwards for Male/Female Relations?
16:00Annual General Meeting
