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	<title>IASPM  Canada</title>
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	<description>International Association for the Study of Popular Music, Canadian Branch</description>
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		<title>In Praise of Fish</title>
		<link>http://iaspm.ca/2010/07/in-praise-of-fish/</link>
		<comments>http://iaspm.ca/2010/07/in-praise-of-fish/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 15:25:39 +0000</pubDate>
		<dc:creator>Michael Ethen</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=587</guid>
		<description><![CDATA[I&#8217;ve just finished a short book by Stanley Fish worth recommending to everyone aspiring to or currently living an academic life. Save the World on<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/07/in-praise-of-fish/">[more...]</a></span>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>She&#8217;s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music &#8211; Laurie Stras, ed.</title>
		<link>http://iaspm.ca/2010/07/shes-so-fine/</link>
		<comments>http://iaspm.ca/2010/07/shes-so-fine/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 17:01:23 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[New Books]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=583</guid>
		<description><![CDATA[Stras, Laurie, ed. She&#8217;s So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Farnham: Ashgate, 2010. She&#8217;s So Fine explores the music,<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/07/shes-so-fine/">[more...]</a></span>]]></description>
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		<item>
		<title>CFP &#8211; The Business of Live Music</title>
		<link>http://iaspm.ca/2010/07/cfp-the-business-of-live-music/</link>
		<comments>http://iaspm.ca/2010/07/cfp-the-business-of-live-music/#comments</comments>
		<pubDate>Sat, 10 Jul 2010 15:45:01 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[CFP]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[edinburgh]]></category>
		<category><![CDATA[live music]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=578</guid>
		<description><![CDATA[A conference to mark the completion of an AHRC funded project: 'The Promotion of Live Music in the UK, An Historical, Cultural and Institutional Analysis']]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Executive Election Results</title>
		<link>http://iaspm.ca/2010/06/executive-election-results/</link>
		<comments>http://iaspm.ca/2010/06/executive-election-results/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 18:25:18 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[elections]]></category>
		<category><![CDATA[executive]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=576</guid>
		<description><![CDATA[Charity Marsh (President) and Christina Baade (Conference/Elections Coordinator) have been acclaimed as members of the IASPM-Canada Executive. Charity Marsh (Président) and Christina Baade (Coordonnateur/trice au colloque et aux élections) sont élus par acclamation au sein de l'exécutif de IASPM-Canada. ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>David Byrne Strikes Again</title>
		<link>http://iaspm.ca/2010/06/david-byrne-strikes-again/</link>
		<comments>http://iaspm.ca/2010/06/david-byrne-strikes-again/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 17:02:44 +0000</pubDate>
		<dc:creator>Michael Ethen</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=574</guid>
		<description><![CDATA[This post responds to David Byrne&#8217;s recent TED talk. True to TED&#8217;s mandate, Byrne has given us an idea worth sharing. His central thesis is<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/06/david-byrne-strikes-again/">[more...]</a></span>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Kelly Best Reflects on Spaces of Violence, Sites of Resistance</title>
		<link>http://iaspm.ca/2010/06/kelly-best-reflects-on-spaces-of-violence-sites-of-resistance/</link>
		<comments>http://iaspm.ca/2010/06/kelly-best-reflects-on-spaces-of-violence-sites-of-resistance/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 15:19:21 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[popular music]]></category>
		<category><![CDATA[regina]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=571</guid>
		<description><![CDATA[Kelly Best, a PhD candidate at Memorial University offers her reflections on the 2010 meeting of the IASPM Canada chapter at the University of Regina&#8217;s<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/06/kelly-best-reflects-on-spaces-of-violence-sites-of-resistance/">[more...]</a></span>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>CFP &#8211; Jazz and Race, Past and Present</title>
		<link>http://iaspm.ca/2010/06/jazz-and-race-past-and-present/</link>
		<comments>http://iaspm.ca/2010/06/jazz-and-race-past-and-present/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 11:48:57 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[CFP]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[race]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=567</guid>
		<description><![CDATA[Emerging at the confluence of diverse streams, the genre we know as jazz was made predominantly by African-Americans for a good deal of its history. Indeed, African-American musicians and critics have often claimed the form as their own, part of their people’s struggle to assert their humanity in the face of a racialised structure of power which would deny it. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Fado and the Place of Longing: Loss, Memory and the City &#8211; Richard Elliott</title>
		<link>http://iaspm.ca/2010/06/fado-and-the-place-of-longing-loss-memory-and-the-city-richard-elliott/</link>
		<comments>http://iaspm.ca/2010/06/fado-and-the-place-of-longing-loss-memory-and-the-city-richard-elliott/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 11:38:48 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[New Books]]></category>
		<category><![CDATA[city]]></category>
		<category><![CDATA[fado]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[portugal]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=563</guid>
		<description><![CDATA[Elliot, Richard. Fado and the Place of Longing: Loss, Memory and the City. Farnham: Ashgate Press, 2010. Fado, often described as &#8216;urban folk music&#8217;, emerged<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/06/fado-and-the-place-of-longing-loss-memory-and-the-city-richard-elliott/">[more...]</a></span>]]></description>
		<wfw:commentRss>http://iaspm.ca/2010/06/fado-and-the-place-of-longing-loss-memory-and-the-city-richard-elliott/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991 &#8211; Catherine Baker</title>
		<link>http://iaspm.ca/2010/06/sounds-of-the-borderland-popular-music-war-and-nationalism-in-croatia-since-1991-catherine-baker/</link>
		<comments>http://iaspm.ca/2010/06/sounds-of-the-borderland-popular-music-war-and-nationalism-in-croatia-since-1991-catherine-baker/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 11:34:22 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[New Books]]></category>
		<category><![CDATA[croatia]]></category>
		<category><![CDATA[nationalism]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=560</guid>
		<description><![CDATA[Baker, Catherine. Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991. Farnham: Ashgate Press, 2010. Sounds of the Borderland is the<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/06/sounds-of-the-borderland-popular-music-war-and-nationalism-in-croatia-since-1991-catherine-baker/">[more...]</a></span>]]></description>
		<wfw:commentRss>http://iaspm.ca/2010/06/sounds-of-the-borderland-popular-music-war-and-nationalism-in-croatia-since-1991-catherine-baker/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Introducing Robin Attas</title>
		<link>http://iaspm.ca/2010/06/introducing-robin-attas/</link>
		<comments>http://iaspm.ca/2010/06/introducing-robin-attas/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 15:36:18 +0000</pubDate>
		<dc:creator>Robin Attas</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=558</guid>
		<description><![CDATA[I wanted to get my thoughts on Regina out while they were fresh; now I&#8217;ll go back and introduce myself. I&#8217;m a Ph.D. candidate in<br /><span class="excerpt_more"><a href="http://iaspm.ca/2010/06/introducing-robin-attas/">[more...]</a></span>]]></description>
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		<slash:comments>0</slash:comments>
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