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	<title>IASPM  Canada &#187; jazz</title>
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	<description>International Association for the Study of Popular Music, Canadian Branch</description>
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		<title>CFP &#8211; Jazz and Race, Past and Present</title>
		<link>http://iaspm.ca/2010/06/jazz-and-race-past-and-present/</link>
		<comments>http://iaspm.ca/2010/06/jazz-and-race-past-and-present/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 11:48:57 +0000</pubDate>
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				<category><![CDATA[CFP]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[race]]></category>

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		<description><![CDATA[Emerging at the confluence of diverse streams, the genre we know as jazz was made predominantly by African-Americans for a good deal of its history. Indeed, African-American musicians and critics have often claimed the form as their own, part of their people’s struggle to assert their humanity in the face of a racialised structure of power which would deny it. ]]></description>
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		<title>Le Jazz: Jazz and French Cultural Identity &#8211; Matthew F. Jordan</title>
		<link>http://iaspm.ca/2010/04/le-jazz-jazz-and-french-cultural-identity-matthew-f-jordan/</link>
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		<pubDate>Sun, 04 Apr 2010 11:54:38 +0000</pubDate>
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				<category><![CDATA[Books]]></category>
		<category><![CDATA[cultural identity]]></category>
		<category><![CDATA[france]]></category>
		<category><![CDATA[jazz]]></category>

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		<description><![CDATA[In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity.]]></description>
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