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Hawkins and the British Pop Dandy
In the past, Stan Hawkins has produced worthwhile work for researchers in popular music interested in gender, masculinities and the singing voice, particularly in the form of his book, Settling the Pop Score: Pop Texts and Identity Politics (Aldershot: Ashgate, 2002). This newer book, entitled The British Pop Dandy: Masculinity, Popular Music and Culture, is [...]
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Kelly Best Reflects on Spaces of Violence, Sites of Resistance
Kelly Best, a PhD candidate at Memorial University offers her reflections on the 2010 meeting of the IASPM Canada chapter at the University of Regina’s Interactive Media and Performance Labs. From June 3rd to June 6th, scholars, artists, b-boys, and b-girls converged on the campus of the University of Regina (et environs) to share in [...]
Tension and Resistance – A Review of Regina 2010
The joint conference of the Canadian branch of the International Association for the Study of Popular Music and the Canadian Society for Traditional Music took place from June 3rd to 6th at the University of Regina. Entitled “Spaces of Violence, Sites of Resistance: Music, Media & Performance,” the conference showcased the work of both established [...]
Introduction, Paul Aitken
Hi, you’ve probably already noticed my name around here. I was recently tasked with revamping and improving on the IASPM Canada website and communication strategy. It has been my immense pleasure to do this for the association. I have been a popular music fan all of my life. I can vividly remember sitting around my parents’ table [...]
Restless Giant: The Life and Times of Jean Aberbach and Hill and Range Songs – Bar Biszick-Lockwood
Restless Giant provides a fascinating account of the career of Jean Aberbach, legendary founder of one of music history’s most powerful music publishing companies: Hill and Range Songs. During the 1940s and 1950s music publishers, rather than artists and record companies, controlled the American hit-making machine.
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