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	<title>IASPM  Canada &#187; popular music</title>
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	<description>International Association for the Study of Popular Music, Canadian Branch</description>
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		<title>Hawkins and the British Pop Dandy</title>
		<link>http://iaspm.ca/2010/08/hawkins-and-the-british-pop-dandy/</link>
		<comments>http://iaspm.ca/2010/08/hawkins-and-the-british-pop-dandy/#comments</comments>
		<pubDate>Fri, 13 Aug 2010 16:25:28 +0000</pubDate>
		<dc:creator>Nicholas Greco</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[popular music]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=640</guid>
		<description><![CDATA[In the past, Stan Hawkins has produced worthwhile work for researchers in popular music interested in gender, masculinities and the singing voice, particularly in the form of his book, Settling the Pop Score: Pop Texts and Identity Politics (Aldershot: Ashgate, 2002). This newer book, entitled The British Pop Dandy: Masculinity, Popular Music and Culture, is [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Kelly Best Reflects on Spaces of Violence, Sites of Resistance</title>
		<link>http://iaspm.ca/2010/06/kelly-best-reflects-on-spaces-of-violence-sites-of-resistance/</link>
		<comments>http://iaspm.ca/2010/06/kelly-best-reflects-on-spaces-of-violence-sites-of-resistance/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 15:19:21 +0000</pubDate>
		<dc:creator>iaspm.ca admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[popular music]]></category>
		<category><![CDATA[regina]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=571</guid>
		<description><![CDATA[Kelly Best, a PhD candidate at Memorial University offers her reflections on the 2010 meeting of the IASPM Canada chapter at the University of Regina&#8217;s Interactive Media and Performance Labs. From June 3rd to June 6th, scholars, artists, b-boys, and b-girls converged on the campus of the University of Regina (et environs) to share in [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Tension and Resistance &#8211; A Review of Regina 2010</title>
		<link>http://iaspm.ca/2010/06/tension-and-resistance-a-review-of-regina-2010/</link>
		<comments>http://iaspm.ca/2010/06/tension-and-resistance-a-review-of-regina-2010/#comments</comments>
		<pubDate>Sat, 12 Jun 2010 17:12:31 +0000</pubDate>
		<dc:creator>Nicholas Greco</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[popular music]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[student paper prize]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=543</guid>
		<description><![CDATA[The joint conference of the Canadian branch of the International Association for the Study of Popular Music and the Canadian Society for Traditional Music took place from June 3rd to 6th at the University of Regina. Entitled “Spaces of Violence, Sites of Resistance: Music, Media &#38; Performance,” the conference showcased the work of both established [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Introduction, Paul Aitken</title>
		<link>http://iaspm.ca/2010/05/introduction-paul-aitken/</link>
		<comments>http://iaspm.ca/2010/05/introduction-paul-aitken/#comments</comments>
		<pubDate>Thu, 20 May 2010 19:30:38 +0000</pubDate>
		<dc:creator>Paul Aitken</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[indtroductions]]></category>
		<category><![CDATA[popular music]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=438</guid>
		<description><![CDATA[Hi, you&#8217;ve probably already noticed my name around here. I was recently tasked with revamping and improving on the IASPM Canada website and communication strategy. It has been my immense pleasure to do this for the association. I have been a popular music fan all of my life. I can vividly remember sitting around my parents&#8217; table [...]]]></description>
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		<title>Restless Giant: The Life and Times of Jean Aberbach and Hill and Range Songs &#8211; Bar Biszick-Lockwood</title>
		<link>http://iaspm.ca/2010/04/restless-giant-the-life-and-times-of-jean-aberbach-and-hill-and-range-songs-bar-biszick-lockwood/</link>
		<comments>http://iaspm.ca/2010/04/restless-giant-the-life-and-times-of-jean-aberbach-and-hill-and-range-songs-bar-biszick-lockwood/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 13:03:03 +0000</pubDate>
		<dc:creator>iaspm.ca admin</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[bill monroe]]></category>
		<category><![CDATA[industry]]></category>
		<category><![CDATA[jean aberbach]]></category>
		<category><![CDATA[popular music]]></category>
		<category><![CDATA[songwriting]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=402</guid>
		<description><![CDATA[Restless Giant provides a fascinating account of the career of Jean Aberbach, legendary founder of one of music history's most powerful music publishing companies: Hill and Range Songs. During the 1940s and 1950s music publishers, rather than artists and record companies, controlled the American hit-making machine.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>CFP &#8211; IASPM Australia/New Zealand</title>
		<link>http://iaspm.ca/2010/04/cfp-iaspm-australianew-zealand/</link>
		<comments>http://iaspm.ca/2010/04/cfp-iaspm-australianew-zealand/#comments</comments>
		<pubDate>Thu, 29 Apr 2010 13:46:07 +0000</pubDate>
		<dc:creator>iaspm.ca admin</dc:creator>
				<category><![CDATA[CFP]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[cfp]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[new zealand]]></category>
		<category><![CDATA[popular music]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=399</guid>
		<description><![CDATA[Popular music is a dynamic cultural force. The acts of listening, playing, dancing, composing and recording are undertaken in a constant state of flux, further complicated by flows of space and time. This conference invites papers that consider popular music as a powerful social agent. ]]></description>
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		<title>CFP &#8211; Shakespeare and Popular Music &#8211; September 6, 2010</title>
		<link>http://iaspm.ca/2010/03/shakespeare-and-popular-music/</link>
		<comments>http://iaspm.ca/2010/03/shakespeare-and-popular-music/#comments</comments>
		<pubDate>Wed, 31 Mar 2010 11:52:23 +0000</pubDate>
		<dc:creator>iaspm.ca admin</dc:creator>
				<category><![CDATA[CFP]]></category>
		<category><![CDATA[cfp]]></category>
		<category><![CDATA[english]]></category>
		<category><![CDATA[guelph]]></category>
		<category><![CDATA[popular music]]></category>
		<category><![CDATA[shakespeare]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=241</guid>
		<description><![CDATA[The Shakespeare and Popular Music Conference and Colloquium, in conjunction with the University of Guelph’s School of English and Theatre Studies, invites proposals for papers to be presented at our first annual interdisciplinary conference in Guelph. This year’s colloquium will take place on September 6, 2010, as part of the University of Guelph's Orientation Week activities, and will bring together a wide range of scholars, performance artists, and members of the general public.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Analysing Popular Music &#8211; David Machin</title>
		<link>http://iaspm.ca/2010/03/analysing-popular-music-david-machin/</link>
		<comments>http://iaspm.ca/2010/03/analysing-popular-music-david-machin/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 20:50:14 +0000</pubDate>
		<dc:creator>iaspm.ca admin</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[analysis]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[popular music]]></category>

		<guid isPermaLink="false">http://iaspm.ca/?p=201</guid>
		<description><![CDATA["A definitive guide to issues of textual analysis, representation and semiotics in popular music. Informed, instructive and refreshingly accessible; it boasts a host of original examples, exercises and invaluable resources" - Bill Osgerby, London Metropolitan University]]></description>
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		<slash:comments>1</slash:comments>
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